I feel like I need to make up for lost time.” “With the pandemic making everything come to a halt, so did my films,” says writer-director Oliver, who crowdfunded $15,000 to finance “Wooden Spoon,” a shot-in-Waterloo short film about a beleaguered single mom pushed to the edge. The other wants to explore his “Daddy issues” by running around in the forest, naked, covered in blood.īut Savanna Oliver and Mike Masurkevitch have one thing in common: in the wake of the worst pandemic in a century, despite numerous setbacks along the way, both are determined to see the quirky indie films they poured their hearts and wallets into up on screens for all to see. One wants to examine her childhood trauma through an affecting drama about divorce and dementia.
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